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The twelve months
ended 30 June 2005 have represented another successful period for
the company, with income and expenditure being largely in line with
expectations. Figures
for income and surplus are lower than for the corresponding period
last year, but this was almost entirely due to a substantial legacy
received in 2003-2004. 2004-2005
represents the first complete year in which the company has operated
as a charity.
The company’s
stated object, as registered with the Charity Commissioners, is:
“... to advance
the education of the public, particularly but not exclusively, in
the history of railway, tramway, road, air and water transport
through the collection of film, colour slides, photographic
negatives and prints, videotape, electronic images in all formats
and other artefacts.”
Its activities
can be summarised as:
–
care and administration of transport-related film and
photographic collections
–
conservation work relating to these collections
–
assistance to bona fide researchers in the field
–
availability to bona-fide publishers thereby ensuring that
the collections are made available to the public at large
Corporate
governance is provided through a board of directors each of whom has
standing in the fields of transport heritage, photography and film
making. The directors each take an active role in furthering the
company’s aims and they are assisted in this by a number of
members and other supporters. The directors are appointed by the
members of the company, all of whom are encouraged to bring skills
in support of the Archive’s work.
During the year under review, the company increased its
membership to spread the voluntary workload.
The company has
continued its links with Photobus and Online Video (OV). The latter
is a leading video production house creating transport related video
programmes. During the period under review, OV has accessed Archive
material in some of its releases, including Tramway Exotica Nos 1 and 2, Spanish Narrow Gauge Steam, Routemaster
Heyday, Travels by Tram through Belgium Nos 4 and 5; Hastings
Trolleybuses. OV
has a distribution
arrangement beneficial to numerous charitable and voluntary
organisations in the UK and overseas.
One of OV’s declared objectives is to make its catalogue
(120 tapes) available to transport preservation groups at highly
favourable discount rates, enabling them to raise funds.
Photobus provides a photographic reproduction service through
which copies of Archive material are made available to the public at
large, the company receiving an agreed royalty for every print/slide
sold.
The company has
continued its close working relationships with a number of book
publishers in the field and has contributed material at agreed
reproduction fees to publications.
During 2004-2005, these have included Ian Allan and Middleton
Press. Likewise,
film material is made available to broadcasters and producers; this
acts as a valuable source of revenue in support of the Archive’s
conservation activities.
Most notable during 2004-2005 were the inclusion of material
in a feature about light rail developments for the BBC1 Politics
Show and footage from the Jim Joyce collection in the ITV
Central production The way we were.
During the year
under review, the Archive has received further important film and
photograph collections from among others: Wally Higgins (USA),
Joseph M Canfield (USA), Derek Norman, Peter Goddard, Peter
Matthews, Charles Hepworth, Willie Guthrie and Ken Thorpe.
Cataloguing and preservation of collections progresses.
The number of enquiries relating to the Archive has increased
and during the year, a number of major photographers have indicated
that they intend to leave their collections to the Archive.
The company has
produced a range of attractive information leaflets detailing the
Archive’s aims and objectives. The company’s website (onlinetransportarchive.org)
has received steady traffic since it was established, with
noticeable peaks when press coverage has been received.
Two such mentions have been in The
Railway Magazine, the latter (in the July 2005 edition) being
part of a general debate about the preservation of collections, a
debate which will closely involve OTA and its directors.
The company plans
to continue with its activities in the forthcoming year.
Towards the end of 2005, it is believed the Archive will
finally have its own rented secure premises which allow for a major
consolidation of the Archive’s collections.
The company’s
financial reserves remain comfortable, but it is anticipated that a
proportion of these reserves will need to be used to fund the move
to new premises and appropriate fitting out. The directors are confident that they have acted in a
way to minimise financial risks.
The directors
assert that the move to new premises will provide added stability to
the company during 2005-2006 and that it will continue in its role
as one of the leading UK archives for transport related photographs
and moving images.
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